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< User:Crantila | FSC | Typesetting/LilyPond
\version "2.12.2"
\header
{
dedication = "Comte d‘Ogny and Prince Oettingen-Wallerstein"
title = "Sinfonia No. 92"
subtitle = "“Oxford”"
composer = "Haydn, Joseph"
% Remove default LilyPond tagline
tagline = ##f
}
tempoMark =
{
\once \override Score.RehearsalMark #'self-alignment-X = #LEFT
\once \override Score.RehearsalMark #'break-align-symbols = #'(time-signature key-signature)
\once \override Staff.TimeSignature #'break-align-anchor-alignment = #LEFT
\mark \markup \bold "Adagio"
}
global =
{
%% NB: "hornF" does not follow this
%% NB: "trumpetC" does not follow this
\tempoMark
\key g \major
\time 3/4
}
startExposition =
{
\once \override Score.RehearsalMark #'self-alignment-X = #LEFT
\once \override Score.RehearsalMark #'break-align-symbols = #'(time-signature key-signature)
\mark \markup \bold "Allegro spiritoso"
\bar "|:"
}
%%%%%%%% NOTES %%%%%%%%
flute = \relative c'''
{
\global
% Music follows here.
R2.*13 |
r8 e-.\p e-. e-. e-. e-. |
es8[ d]\f d-. d-. d-. d-. |
d8( cis) cis4 r |
R2.*3 |
r4 r r\fermata |
\startExposition
R2.*4 |
}
oboeI = \relative c'''
{
\global
% Music follows here.
R2.*13 |
r8 a-.\p a-. a-. a-. a-. |
a8([ bes)]\f bes-. g-. g-. g-. |
g8( bes,) bes4 r |
r4 cis\p cis |
r4 cis cis |
r4 cis\pp cis |
r4 r r\fermata |
\startExposition
R2.*4 |
}
oboeII = \relative c''
{
\global
% Music follows here.
R2.*13 |
R2. |
r8\f bes-. bes-. bes-. bes-. bes-. |
bes8 bes bes4 r |
r4 g\p g |
r4 g g |
r4 g\pp g |
r4 r r\fermata |
\startExposition
R2.*4 |
}
bassoon = \relative c
{
\global
% Music follows here.
R2.*13 |
R2. |
r8\f d-.^"a 2" g-. bes-. d-. bes-. |
g8( cis) cis4 r |
R2.*3 |
r4 r r\fermata |
\startExposition
R2.*4 |
}
hornF = \relative c'
{
\tempoMark
\time 3/4
\key c \major
\transposition g
% Music follows here.
R2.*13 |
R2. |
r8\f <g g'>-. <g g'>-. <g g'>-. <g g'>-. <g g'>-. |
<c c'>8 <c c'> <c c'>4 r |
R2.* 3 |
r4 r r\fermata
\startExposition
R2.*4 |
}
trumpetC = \relative c''
{
\tempoMark
\time 3/4
\key c \major
% Music follows here.
R2.*13 |
R2.*6 |
r4 r r\fermata |
\startExposition
R2.*4 |
}
timpani = \relative c
{
\global
% Music follows here.
R2.*13 |
R2.*6 |
r4 r r\fermata |
\startExposition
R2.*4 |
}
violinI = \relative c''
{
\global
% Music follows here.
d8-.\p r d-. r d-. r |
d2.~\< |
d4\> c8( b a e') |
g,4(\! fis8)-. r r4 |
% M.5
c'8-. r c-. r c-. r |
c2.~\< |
c8\> e( d c b a)\! |
\grace {c8} b4\trill a8-. r r4 |
c8[( \grace {d16[ c b]} c16. d32]) b8-. r r4 |
% M.10
e8[( \grace {fis16[ e dis]} e16. fis32]) g8-. r r4 |
d4 cis8( c b bes) |
a8 r r4 r |
r8 g'-. g-. g-. g-. g-. |
g8[( fis]) fis-. fis-. fis-. fis-. |
% M.15
fis8[( g])\f g-. d'-. d-. d-. |
d8[( cis]) cis4 r8. g16\p |
g4( cis,) r8. bes'16 |
bes4( cis,) r |
\times 2/3 { g'8[(-.^\markup{\italic staccato} fis-. f])-. } \times 2/3 { e8[(-. es-. d])-. } cis8-. r16 bes' |
bes4( cis,) r\fermata |
\startExposition
c!4~\p c8 b-. a-. g-. |
}
violinII = \relative c''
{
\global
% Music follows here.
b8-.\p r b-. r b-. r |
b4. a8( g fis) |
e4. d8( c a) |
d4 r r |
% M.5
<fis a>8-. r <fis a>-. r <fis a>-. r |
<fis a>4. b8( a g) |
fis2( g8 d) |
d8[( cis]) d-. r r4 |
g4~ g8-. r r4 |
% M.10
g4~ g8-. r r4 |
d4 e8( fis g) g |
fis8[ d]-. d-. d-. d-. d-. |
d4( cis c) |
c2.~ |
% M.15
c8[( bes])\f bes-. bes-. bes-. bes-. |
bes8 g' g4 r |
r4 <bes, g'>\p <bes g'> |
r4 <bes g'> <bes g'> |
r4 <bes g'>\pp <bes g'> |
% M.20
r4 r r\fermata
\startExposition
<a fis'>8-.\p <a fis'>-. <a fis'>-. r r4
}
viola = \relative c''
{
\global
% Music follows here.
g8-.\p r g-. r g-. r |
g4. g,8( a b) |
c( e, fis gis a c) |
b4( a8-.) r r4 |
% M.5
d8-. r d-. r d-. r |
d4. d,8( fis g) |
a8( c b a g fis) |
g4( fis8-.) r r4 |
e'4( d8-.) r r4 |
% M.10
c4( b8-.) r r4 |
b8( bes a) d g, cis |
d4 r r |
R2. |
r8 a'-. a-. a-. a-. a-. |
% M.15
a8[( g])\f g-. g-. g-. g-. |
g8 g g4 r |
r4 cis,\p cis |
r4 cis cis |
r4 cis\pp cis |
% M.20
r4 r r\fermata |
\startExposition
c8-.\pp c-. c-. r r4 |
}
cello = \relative c
{
\global
% Music follows here.
R2. |
g8(\p b d g a b) |
c8( e, fis gis a c) |
b4( a8-.) r r4 |
% M.5
R2.
d,,8( fis a d fis g) |
a8( c b a g fis) |
g4( fis8-.) r r4 |
e'4( d8-.) r r4 |
% M.10
c4( b8-.) r r4 |
b8( bes a) d g, cis |
d4 r r |
es,2. |
d2.~ |
% M.15
d8[ d]-.\f d-. d-. d-. d-. |
es8 es es4 r |
r4 << { es' es } \\ { es,\p es } >> |
r4 << { es' es } \\ { es, es } >> |
r4 << { es' es } \\ { es,\pp es } >> |
% M.20
r4 r r\fermata |
\startExposition
d8-.\p d-. d-. r r4 |
}
contrabass = \relative c
{
\global
% Music follows here.
R2. |
g2\p r4 |
c2. |
d4 r r |
% M.5
R2. |
d2.~ |
d2. |
d8-. r d-. r r4 |
% M.9
R2.*4 |
es2. |
% M.15
d2.~ |
d8[ d]-.\f d-. d-. d-. d-. |
es8 es es4 r |
r4 es\p es |
r4 es es |
r4 es\pp es |
% M.20
r4 r r\fermata
\startExposition
d8-.\p d-. d-. r r4 |
}
%%%%%%%% PARTS %%%%%%%%
flutePart = \new Staff \with
{
instrumentName = "Flauto"
} \flute
oboeIPart = \new Staff \with
{
instrumentName = "I Oboe"
} \oboeI
oboeIIPart = \new Staff \with
{
instrumentName = "II Oboe"
} \oboeII
bassoonPart = \new Staff \with
{
instrumentName = "2 Fagotti"
} { \clef bass \bassoon }
hornFPart = \new Staff \with
{
instrumentName = "2 Corni in Sol"
} \hornF
trumpetCPart = \new Staff \with
{
instrumentName = "2 Clarini in Do"
} \trumpetC
timpaniPart = \new Staff \with
{
instrumentName = "Timpani"
} { \clef bass \timpani }
violinIPart = \new Staff \with
{
instrumentName = "Violino I"
} \violinI
violinIIPart = \new Staff \with
{
instrumentName = "Violino II"
} \violinII
violaPart = \new Staff \with
{
instrumentName = "Viola"
} { \clef alto \viola }
celloPart = \new Staff \with
{
instrumentName = "Violoncello obligato"
} { \clef bass \cello }
contrabassPart = \new Staff \with
{
instrumentName = "Basso"
} { \clef bass \contrabass }
%%%%%%%% SCORE %%%%%%%%
\score
{
<<
\flutePart
\oboeIPart
\oboeIIPart
\bassoonPart
\hornFPart
\trumpetCPart
\timpaniPart
\violinIPart
\violinIIPart
\violaPart
\celloPart
\contrabassPart
>>
\layout { }
}